Art Dealer Awarded Payment after Nazi Theft in WWII
Written by alec Wednesday, 21 July 2010 18:08

A Jewish art dealer's estate has been granted $19 million from an Austrian museum for a painting that the Nazis took from her during World Ward II.
Litigation began when Egon Schiele's Portrait of Wally was loaned to the Museum of Modern Art in New York by the Leopold Museum in 1997.
American Officials seized the work in 1998 after raised suspicions that it had been stolen from Lea Bondi Jaray, who passed away in 1969.
The settlement is appropriate for the value of the painting, the Bondi estate said.
"Justice has been served," the statement said.
"Finally, after more than 70 years, the wrongs suffered by Lea Bondi Jaray are at least being acknowledged and, to some degree, corrected."
Pretty Bharara, the US lawyer, said the settlement "marks another small step toward justice for victims of property crimes during World War II".
Manhattan's District attorney's office began looking into claims in 1998 that the painting was taken when Jaray was forced to sell it, way below its value, to a Nazi art collector.
US District Judge Loretta Preska rejected the Leopold Museum's stance that the painting was legitimately acquired.
The museum has always been adamant that they received the painting from a legitimate source, its postwar owners.
It was with more than 100 pieces lent to MoMA by the Leopold Foundation in Austria. The estimated cost at the time was about $2 million.
Kafka Manuscripts Engaged in Legal Battle
Written by alec Tuesday, 20 July 2010 18:10

A bank in Zurich has found some safe deposit boxes that thought to contain manuscripts and drawings by the late writer Franz Kafka.
This is the latest twist in a long legal battle over who owns the papers.
Two sisters from Israel say they inherited the documents from their late mother, but the Israely state claims them as part of the country's cultural heritage.
The contents will be examined by an expert, who will then discuss the matter with a judge overseeing the case.
Archives in libraries around the world say the manuscripts, locked away for decades, must at least be made public.
Kafka was one of the most influential and enigmatic authors of the 20th Century.
He died at the age of 40 from tuberculosis in 1924. If his last wishes had been honored, novels like The Trial and The Castle would never have been seen by the public.
Kafka requested to his friend and fellow writer, Max Brod, to burn his writings after his death. Brod refused and published the novels and took letters and other writings to Israel where he left them to his secretary Esther Hoffe, who left them to her daughters.
Somewhere in the past half century, the documents were taken to bank vaults in Tel Aviv and Zurich.
When the two daughters, now in their 70s, tried to sell some of the writings, the legal battle began.
Israel claims the documents are part of its cultural heritage arguing that because Kafka was Jewish, his work belongs there.
The sisters claim the works are their rightful inheritance to treat as they wish. Germany's literary archive has put in an offer to buy the papers.
Today, a Tel Aviv judge ordered the four vaults in Zurich to be opened, but only for the eyes of one Kafka specialist who will itemize the contents and relay his findings to the judge.
The public will still be left in the dark in the mystery of Kafka's unpublished works.
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